Little Nemo is the main fictional character in a series of weekly comic strips by Winsor McCay that appeared in the New York Herald and William Randolph Hearst's New York American newspapers from October 15, 1905 – July 23, 1911 and September 3, 1911 – July 26, 1914; respectively. The strip was
first called Little Nemo in Slumberland and then In the Land of Wonderful Dreams when it changed papers. A brief revival of the original title occurred from 1924 to 1927. The original set-up of the comic revolved around the nightly dreams of a little boy named Nemo (meaning "nobody" in Latin). The purpose of his early dreams was to reach 'Slumberland', the realm of King Morpheus, who wanted him as a playmate for his daughter, the Princess. The last panel in each strip was always one of Nemo waking up, usually in or near his bed, and often being scolded (or comforted) by one of the grownups of the household after crying out in his sleep and waking them. In the earliest strips, the dream event that woke him up would always be some mishap or disaster that seemed about to lead to
serious injury or death, such as being crushed by giant mushrooms, being turned into a monkey, falling from a bridge being held up by "slaves", or gaining 90 years in age. Later on, when Nemo finally did reach Slumberland, he was constantly being woken up by Flip, a character who originally wore a hat that had 'Wake Up' written on it. Flip would go on to be one of the comic's seminal characters. Other notable recurring characters included: Dr. Pill, The Imp, the Candy Kid and Santa Claus as well as the Princess and King Morpheus. Although a comic strip, it was far from a simple children's fantasy; it was often dark, surreal, threatening, and even violent. The "Slumberland" of the title soon acquired a double meaning, referring not only to Morpheus's fairy kingdom, but to the state of sleep itself: Nemo would have dream-adventures in other imaginary lands, on the Moon and Mars, and in our own "real" world, made fantastic by the dream-state. The strip was not a great popular success in its time. Most readers preferred the slapstick antics of such strips as
Katzenjammer Kids, Happy Hooligan, and Buster Brown to the surreal fantasy of Nemo, and other comic strips like Krazy Kat. However, during the late 20th and early 21st centuries, the strip received more recognition. In 1966 Woody Gelman discovered many of the original strips at a cartoon studio where McCay's son worked.[1] Many of the original drawings that Gelman recovered were displayed at the Metropolitan Museum of Art under the direction of curator A. Hyatt Mayor. In 1973, Gelman would publish a collection of Little Nemo strips in Italy.[1] Among the most noticeable of its qualities were its intricate visual style — often with high levels of background detail — its vivid colours, fast pace of movement from panel to panel and the huge variety of strange characters and scenery. Certain episodes of the strip are particularly famous. Any list of these would have to include the Night of the Living Houses (said to be the first comic strip to enter the collection of the Louvre) wherein
Nemo and a friend are chased down a city street by a gang of tenement houses on legs; the Walking Bed, in which Nemo and Flip ride over the rooftops on the increasingly long limbs of Nemo's bed (see illustration); and the Befuddle Hall sequence, wherein Nemo and his friends attempt to find their way out of a funhouse environment of a Beaux-Arts interior turned topsy-turvy. McCay's mastery of perspective, and the extreme elegance of his line work, make his visions graphically wondrous. The eccentric dialogue is delivered in a dreamy deadpan, and often appears to be hastily jammed into tiny word balloons that can scarcely contain it. A typical line: "Whoever named this place Befuddle Hall knew his business! I am certainly befuddled." The strips, along with most of the rest of
McCay's works, fell into the public domain in most of the world on January 1, 2005, 70 years after McCay's death (see Copyright and the EU's Directive harmonizing the term of copyright protection for details). All of the works published before 1923 are in the public domain in the United States.
The complete set of Little Nemo strips is available in a single volume from Taschen: Little Nemo 1905-1914 (ISBN 3-8228-6300-9), leaving out only the later revival from the 1920s, which is still under copyright in the U.S. 110 of the most famous strips have been reprinted in their original size and colors in the 2005 collection Little Nemo in Slumberland, So Many Splendid Sundays (ISBN 978-0-9768885-9-8), a 16x21 inch hardcover book from Sunday Press Books and its sequel the 2008 collection Little Nemo in Slumberland, Many More Splendid Sundays, Volume 2 (ISBN 978-0976888550) with 110 more images. Adaptations The walking bed, July 26, 1908 Main articles: Little Nemo: The Dream Master and Little Nemo: Adventures in Slumberland Theatre An 'operatic spectacle' was based on the strip, with music by Victor Herbert (composer of Babes in Toyland) and lyrics by Harry B. Smith. This lavish production opened on October 20, 1908 in the New Amsterdam Theatre in New York, ran for 111 performances, and closed January 23, 1909. The opera introduced a new character called 'the dancing missionary', who was to appear in several episodes of the comic strip during 1909, and the word whiffenpoof. In spring 2007, an operatic adaptation of the comic strip wa
s announced to be presented in spring 2009 by the Sarasota Opera, composed by the Pulitzer Prize-winning composer Ned Rorem. However, on 20 July 2008 he annonced that he would not be able to complete it. In January 2010, the company announced that New York composer Daron Hagen and librettist Sandy McClatchy would create the work instead. It will be given its premiere in November 2012 by the Sarasota Youth Opera. Toronto based theatre company Frolick adapted the Little Nemo in Slumberland comic strip for presentation at the Lagoon Theatre, Olympic Island, Toronto Islands running from July 1, until August 26, 2012 under the title "
Adventures in Slumberland". The presentation includes giant puppets, smaller puppets, masks,
stilts and original art and music. Artistic Director [(Matthew Krist)] and Director [(Amira Emma Routledge)] adapted the scripts into a 4 part series featuring characters and plot points from the first 25 comics along with the company. [1] Film James Stuart Blackton and Winsor McCay directed a ten-minute short film based on the comic strip, of which two minutes were animated. The film was first released on April 8, 1911.[2] The first animated
effort of McCay, it later achieved the status of an early animated classic. Its on screen title is Winsor McCay, the Famous Cartoonist of the N.Y. Herald and his Moving Comics, but it is usually referred to as Little Nemo. This version was named to the National Film Registry in
December 2009.[3]In 1984, Arnaud Sélignac produced and directed a film called Nemo or Dream One, starring Jason Connery, Harvey Keitel and
Carole Bouquet. It involves a little boy called Nemo, who wears pajamas and travels to a fantasy world, but otherwise the connection to McCay's strip is a loose one. The fantasy world is a dark and dismal beach, and Nemo encounters characters from other works of fiction rather than those from the original strip. Instead of Flip or the Princess, Nemo meets Zorro, Alice and Jules Verne's Nautilus (which was led by Captain Nemo). An animated feature film entitled Little Nemo: Adventures in Slumberland (known simply as Nemo in Japan) was finally released in Japan in July 1989 and in the US in 1992. It was directed by Masami Hata and William T. Hurtz from a screenplay by Chris Columbus and Richard Outten. Originally conceived in 1982, this Japanese-American co-production had a long and tumultuous history which included a 1984 pilot by Ghibli director Yoshifumi Kondō.[2] Though regarded as a commercial failure in the States, it nevertheless went on to be nominated for and won several industry awards for its brilliant animation quality. Upon its initial VHS video release in 1993, it topped the charts for more than a month, selling over 2 million[citation needed] copies. The film was later released on DVD in October 2004[citation needed], and quickly went out of print the following year. The DVD was once again released in January 2009[citation needed]. Other media In 1990, Capcom produced a video game for the NES, titled Little Nemo: The Dream Master (known as Pajama Hero
Nemo in Japan), a licensed game based on the 1989 film. The film would not see a US release until 1992, two years after the game's Japanese release, so the game is often thought to be a standalone adaptation of Little Nemo, not related to the film. An arcade game called simply Nemo was also released in 1990.[4] Throughout the years, various pieces of Little
Nemo merchandise have been produced. In 1941, Rand, McNally & Co. published a Little Nemo children's storybook. Little Nemo in Slumberland in 3-D was released by Blackthorne Publishing in 1987; this reprinted Little Nemo issues with 3-D glasses. A set of 30 Little Nemo postcards was available through Stewart Tabori & Chang in 1996. In 1993, as promotion for the 1989 animated film, Hemdale produced a Collector's Set which includes a VHS movie, illustrated storybook, and cassette soundtrack. In 2001, Dark Horse Comics released a Little Nemo statue and tin lunchbox. The
character and themes from the comic strip Little Nemo were used in a song "Scenes from a Night's Dream" written by Phil Collins and Tony Banks of the progressive rock group Genesis on their 1978 recording, ...And Then There Were Three... Another progressive rock group, from Germany, called Scara Brae also recorded a musical impression of the comic on their rare self titled disc from 1981 (the track was actually recorded 2 years earlier). Their concept piece was revived on the second album by the Greek band Anger Department, oddly called 'The Strange Dreams of A Rarebit Fiend', again after a McCay-comic. Their 'Little Nemo' was chosen for a theatre play, which was suggested for the cultural program for the Olympic Games in 2004. At Universal's Islands of Adventure, at the Toon Lagoon section, Little Nemo can be seen falling out of his bed near a shop. "Little Nemo in Slumberland" is also the inspiration for the video of the 1989 song Runnin' Down a Dream by Tom Petty and The Heartbreakers. Web On 15th October, 2012, celebrating the 107th anniversary of Winsor Zenic McCay's Little Nemo in Slumberland, Google displayed an interactive animated doodle on its homepage. The doodle, an interactive animation, shows the story of Little Nemo in Slumberland, through various panels. Of course the Google imprint is ever present in each story panel. The doodle also ends in the same ways the comic strips end- with Nemo falling from his bed. [5] Cultural influences Since its publishing, Little Nemo has had an influence on other artists, including Alan Moore, in Miracleman #4, when the Miracleman family end up in a palace called "Sleepy Town", which has imagery similar to Little Nemo's. In Moore (and J.H. Williams III)'s Promethea, a more direct pastiche - "Little Margie in Misty Magic Land" - showed Moore's inspiration and debt to McCay's landmark 1905 strip. The Sandman series occasionally references Little Nemo as well. Examples include The Sandman: The Doll's House, where an abused child escapes into dreams styled after McCay's comics and using a similar 'wake-up' mechanism, and The Sandman: Book of Dreams (pub. 1996), which features George Alec
Effinger's short "Seven Nights in Slumberland" (where Nemo interacts with Neil Gaiman's characters The Endless). In children's literature, Maurice Sendak has said that this strip inspired his book In the Night Kitchen, and William Joyce included several elements from
Little Nemo in his children's book Santa Calls, including appearances by Flip and the walking bed. In 1984, Italian comic artist Vittorio Giardino started producing a number of few-page stories under the title Little Ego, a parodic adaptation of Little Nemo, in the shape of erotic comics. Although not suitable for children, Giardino's work succeeded in imitating Winsor McCay's exquisite drawing technique, and the level of surrealism was fairly achieved. The comic strip Cul de Sac includes a strip-within-the-strip, "Little Neuro", a parody of Little Nemo. Neuro is a little boy who hardly ever leaves his bed. In 2006, electronic artist Daedelus used Little Nemo artwork for his album Denies the Day's Demise. On October 15, 2012, Google celebrated the 107th anniversary of Winsor McCay's comic strip with an interactive doodle called "Little Nemo in Google-land". Each slide featured a letter from the word "Google".[6]
Little Nemo is the main fictional character in a series of weekly comic strips by Winsor McCay that appeared in the New York Herald and William Randolph Hearst's New York American newspapers from October 15, 1905 – July 23, 1911 and September 3, 1911 – July 26, 1914; respectively. The strip was first called Little Nemo in Slumberland and then In the Land of Wonderful Dreams when it changed papers. A brief revival of the original title occurred from 1924 to 1927. The original set-up of the comic revolved around the nightly dreams of a little boy named Nemo (meaning "nobody" in Latin). The purpose of his early dreams was to reach 'Slumberland', the realm of King Morpheus, who wanted him as a playmate for his daughter, the Princess. The last panel in each strip was always one of Nemo waking up, usually in or near his bed, and often being scolded (or comforted) by one of the grownups of the household after crying out in his sleep and waking them. In the earliest strips, the dream event that woke him up would always be some mishap or disaster that seemed about to lead to serious injury or death, such as being crushed by giant mushrooms, being turned into a monkey, falling from a bridge being held up by "slaves", or gaining 90 years in age. Later on, when Nemo finally did reach Slumberland, he was constantly being woken up by Flip, a character who originally wore a hat that had 'Wake Up' written on it. Flip would go on to be one of the comic's seminal characters. Other notable recurring characters included: Dr. Pill, The Imp, the Candy Kid and Santa Claus as well as the Princess and King Morpheus. Although a comic strip, it was far from a simple children's fantasy; it was often dark, surreal, threatening, and even violent. The "Slumberland" of the title soon acquired a double meaning, referring not only to Morpheus's fairy kingdom, but to the state of sleep itself: Nemo would have dream-adventures in other imaginary lands, on the Moon and Mars, and in our own "real" world, made fantastic by the dream-state. The strip was not a great popular success in its time. Most readers preferred the slapstick antics of such strips as Katzenjammer Kids, Happy Hooligan, and Buster Brown to the surreal fantasy of Nemo, and other comic strips like Krazy Kat. However, during the late 20th and early 21st centuries, the strip received more recognition. In 1966 Woody Gelman discovered many of the original strips at a cartoon studio where McCay's son worked.[1] Many of the original drawings that Gelman recovered were displayed at the Metropolitan Museum of Art under the direction of curator A. Hyatt Mayor. In 1973, Gelman would publish a collection of Little Nemo strips in Italy.[1] Among the most noticeable of its qualities were its intricate visual style — often with high levels of background detail — its vivid colours, fast pace of movement from panel to panel and the huge variety of strange characters and scenery. Certain episodes of the strip are particularly famous. Any list of these would have to include the Night of the Living Houses (said to be the first comic strip to enter the collection of the Louvre) wherein 
Nemo and a friend are chased down a city street by a gang of tenement houses on legs; the Walking Bed, in which Nemo and Flip ride over the rooftops on the increasingly long limbs of Nemo's bed (see illustration); and the Befuddle Hall sequence, wherein Nemo and his friends attempt to find their way out of a funhouse environment of a Beaux-Arts interior turned topsy-turvy. McCay's mastery of perspective, and the extreme elegance of his line work, make his visions graphically wondrous. The eccentric dialogue is delivered in a dreamy deadpan, and often appears to be hastily jammed into tiny word balloons that can scarcely contain it. A typical line: "Whoever named this place Befuddle Hall knew his business! I am certainly befuddled." The strips, along with most of the rest of McCay's works, fell into the public domain in most of the world on January 1, 2005, 70 years after McCay's death (see Copyright and the EU's Directive harmonizing the term of copyright protection for details). All of the works published before 1923 are in the public domain in the United States. 
The complete set of Little Nemo strips is available in a single volume from Taschen: Little Nemo 1905-1914 (ISBN 3-8228-6300-9), leaving out only the later revival from the 1920s, which is still under copyright in the U.S. 110 of the most famous strips have been reprinted in their original size and colors in the 2005 collection Little Nemo in Slumberland, So Many Splendid Sundays (ISBN 978-0-9768885-9-8), a 16x21 inch hardcover book from Sunday Press Books and its sequel the 2008 collection Little Nemo in Slumberland, Many More Splendid Sundays, Volume 2 (ISBN 978-0976888550) with 110 more images. Adaptations The walking bed, July 26, 1908 Main articles: Little Nemo: The Dream Master and Little Nemo: Adventures in Slumberland Theatre An 'operatic spectacle' was based on the strip, with music by Victor Herbert (composer of Babes in Toyland) and lyrics by Harry B. Smith. This lavish production opened on October 20, 1908 in the New Amsterdam Theatre in New York, ran for 111 performances, and closed January 23, 1909. The opera introduced a new character called 'the dancing missionary', who was to appear in several episodes of the comic strip during 1909, and the word whiffenpoof. In spring 2007, an operatic adaptation of the comic strip was announced to be presented in spring 2009 by the Sarasota Opera, composed by the Pulitzer Prize-winning composer Ned Rorem. However, on 20 July 2008 he annonced that he would not be able to complete it. In January 2010, the company announced that New York composer Daron Hagen and librettist Sandy McClatchy would create the work instead. It will be given its premiere in November 2012 by the Sarasota Youth Opera. Toronto based theatre company Frolick adapted the Little Nemo in Slumberland comic strip for presentation at the Lagoon Theatre, Olympic Island, Toronto Islands running from July 1, until August 26, 2012 under the title "
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